Shengjiang (Xiamen) Group
SHENGJIANG (XIAMEN) GROUP
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Project Cases
Woodcarving Culture Relief
Project Address
Jiangxi • Ganzhou
Using realistic and relief art, the work delicately depicts the vivid scene of Nanchang carpenters in the late 1980s, shouldering their bags and holding their tools, resolutely embarking on their journey with deep affection for their hometown and aspirations for the future. The background wall, with its rough texture, traces back the thousand-year glorious history of Nanchang carpentry, from shipbuilding and house construction to participation in the construction of historical buildings, all demonstrating its profound cultural heritage and continuous development. On the back of the relief, the inscription by sociologist Fei Xiaotong, "Creating something from nothing, creating something special from something existing, the special lies in the people, and people connect all directions," shines brightly, highly summarizing the path of Nanchang's economic rise. The interwoven shadow carvings and line engravings on both sides showcase the booming development of Nanchang's furniture industry since 1993, under the support of government policies and the unremitting efforts of the people, continuously creating brilliance.
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Earth Mother Cultural Park
Project Address
Yunnan Guangnan
Blending the styles of Han, Tang, and Song dynasty statues with the essence of Taoist culture, the statue of the Earth Mother, with its majestic yet compassionate image, has become a new landmark of Taoist cultural sites, carrying the high respect and inheritance of the Earth Mother culture.
Integrating Taoist thought with natural landscapes, through precise architectural scale design (such as 950 meters long, 95 meters wide, 55 meters height difference, 365 steps, etc.), a cultural site that is both sacred and friendly has been built, allowing visitors to experience a cultural journey from the mundane to the sacred as they climb. The first hexagram of the sixty-four hexagrams in the "Book of Changes" is Qian, which symbolizes heaven. The Qian hexagram is composed of six yang lines, representing the extreme yang and prosperity. Counting from the bottom up, the fifth line is called Jiuwu, representing this line as yang. Five means the fifth line.
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The Hegemon Lifting the Cauldron
Project Address
Jiangsu Suqian
The sculpture "霸王举鼎" (literally, "Overlord Lifting the Cauldron") takes the responsibility of respecting and restoring history, fully considering the perspective of the general public, including citizens and tourists, and the accessibility and participation that should be inherent in public art within a city's theme. Combining traditional and modern artistic forms with the magnificent and unrestrained aesthetic tradition of freehand brushwork, it fully embodies the characteristics and cultural charm of the Overlord Xiang Yu, illuminating the city's public spaces with the artistic light of the old and new. Its strong visual impact and prominent symbolic effect will surely become a new image for Suqian's urban development. The sculpture not only stands in the modern city but also stands in the space-time of history, in the forest of Chinese culture, and in the spiritual home of the people! Today's "霸王举鼎" sculpture is the cultural heritage that will be passed down for generations to come, and it will surely become a landmark sculpture in Suqian and even the whole country, making an outstanding contribution to promoting a positive image of Suqian city.
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Yi nationality shoulder-dropping dance
Project Address
Yunnan•Xundian
The Yi shoulder-dropping dance is favored by young Yi men and women in Xundian, serving as an important way for emotional communication. Characterized by the tacit coordination of steps and shoulders, it is a non-material cultural heritage of Xundian City. The artwork uses realistic techniques to refine the dance movements, presenting the form of male and female dancing together, showcasing the joyful emotions of Yi youth. It also incorporates Yi clothing patterns as bas-reliefs, highlighting the unique characteristics of the ethnic culture.
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Crossing the River (4.29)
Project Address
Yunnan•Xundian
Based on the "April 29th River-crossing Order" issued by the Central Revolutionary Military Commission in Xundian County in 1935, and using the political work instructions issued by the Red Army General Political Department regarding the crossing of the Jinsha River as a prototype, this artwork is artistically designed. Red Army soldiers charging forward on boats, riding the waves, emerge from the scene, unstoppable, showcasing their fearless spirit. The combination of movement and stillness, reality and illusion, creates a powerful visual impact, highlighting the importance of the River-crossing Order. It was this order that led to a decisive victory in the strategic relocation, writing the most legendary chapter in the history of Red Army warfare.
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Red Sixth Army Western Expedition Thematic Sculpture
Project Address
Jiangxi • Suichuan
Suichuan was the departure point of the vanguard of the Long March, the Red Sixth Army. The song "Ten Farewells to the Red Army" sings "Seven Farewells (Lige) Red Army, (Jiezige) Wudou River". This Wudou River refers to the Red Sixth Army's departure from the Xianggan base area as the vanguard of the Red Army's Long March westward.
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