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Shengjiang (Xiamen) Group

SHENGJIANG (XIAMEN) GROUP

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Yi nationality shoulder-dropping dance

Project Address

Yunnan•Xundian

Case Introduction

The Yi shoulder-dropping dance is favored by young Yi men and women in Xundian, serving as an important way for emotional communication. Characterized by the tacit coordination of steps and shoulders, it is a non-material cultural heritage of Xundian City. The artwork uses realistic techniques to refine the dance movements, presenting the form of male and female dancing together, showcasing the joyful emotions of Yi youth. It also incorporates Yi clothing patterns as bas-reliefs, highlighting the unique characteristics of the ethnic culture.

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Crossing the River (4.29)

Project Address

Yunnan•Xundian

Case Introduction

Based on the "April 29th River-crossing Order" issued by the Central Revolutionary Military Commission in Xundian County in 1935, and using the political work instructions issued by the Red Army General Political Department regarding the crossing of the Jinsha River as a prototype, this artwork is artistically designed. Red Army soldiers charging forward on boats, riding the waves, emerge from the scene, unstoppable, showcasing their fearless spirit. The combination of movement and stillness, reality and illusion, creates a powerful visual impact, highlighting the importance of the River-crossing Order. It was this order that led to a decisive victory in the strategic relocation, writing the most legendary chapter in the history of Red Army warfare.

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Red Sixth Army Western Expedition Thematic Sculpture

Project Address

Jiangxi • Suichuan

Case Introduction

Suichuan was the departure point of the vanguard of the Long March, the Red Sixth Army. The song "Ten Farewells to the Red Army" sings "Seven Farewells (Lige) Red Army, (Jiezige) Wudou River". This Wudou River refers to the Red Sixth Army's departure from the Xianggan base area as the vanguard of the Red Army's Long March westward.

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Xichou Spirit - Four Birds Supporting the Sun

Project Address

Yunnan, Wenshan

Case Introduction

The sculpture "Four Birds Supporting the Sun" is refined from the image of the sun god bird in traditional Chinese culture combined with the image of the sun god bird in Xichou Women's Sun Festival. It emphasizes the form of four sun god birds carrying the sun and spreading their wings to fly. The overall shape is well-balanced and complements each other. The four sun god birds with outstretched wings carry the sun rising, giving people a strong visual impact. It also symbolizes the unity, progress, and prosperity of the people of Xichou. With perfect sculptural art and profound cultural heritage, the sculpture "Four Birds Supporting the Sun" stands tall on the top of Jinzhong Mountain in Xichou County, which will greatly elevate the cultural taste of Xichou and give a beautiful blessing to Xichou's future development.

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The Great Ode that Shook the Heavens

Project Address

Sichuan, Peng'an

Case Introduction

Sima Xiangru was a representative writer and master of fu (a type of parallel prose) in the Han Dynasty, as well as a literary and aesthetic master. He wrote numerous fu throughout his life, and his works have become classics. His works are mainly realistic, portraying Sima Xiangru as an elegant and talented literary figure, holding a brush in his right hand and a writing tablet in his left, showcasing his reputation as a master of fu. The scene also depicts him engaging in lively discussions with his colleagues, effortlessly composing his works and writing famous pieces that have been passed down through the ages. This illustrates Sima Xiangru's exploration in the creative process of fu. The entire scene echoes the Fu Sheng (Master of Fu) gallery, highlighting the strong literary atmosphere of the Han Dynasty.

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The Ballad of the Phoenix